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L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione

Papibois

2:13	Est. Play Time
75	Measures
	1,156Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenore 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	5	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - BASSE

Papibois

2:13	Est. Play Time
75	Measures
	1,171Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenor 1		13	0	2	4	92%
Tenor 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basse		10	1	2	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - TENOR 2

Papibois

2:13	Est. Play Time
75	Measures
	1,163Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenor 1		13	0	2	4	92%
Tenor 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

xerxe's crude furie

StJohn Woollacott

2:11	Est. Play Time
79	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		21	0	5	5	96%
Violin		24	0	5	6	90%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		21	0	5	5	96%
Violin		24	0	5	6	90%
		17	0	2	5	90%
Viola		15	0	1	5	90%
Xerxe		14	0	3	7	78%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - SOPRANO 2

Papibois

2:13	Est. Play Time
75	Measures
	1,160Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenore 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - TENOR 1

Papibois

2:13	Est. Play Time
75	Measures
	1,162Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenor 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione-SOPRANO 1

Papibois

2:13	Est. Play Time
75	Measures
	1,158Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenore 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	5	4	87%
Gianetta		9	0	0	4	55%

HWV19A3N20 - Vivi, tiranno (Bertarido) in Bb Major

edward.maurath

5:15	Est. Play Time
113	Measures
	1,931Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo		23	51	5	7	82%
		20	1	4	6	98%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo		23	51	5	7	82%
		20	1	4	6	98%
Cembalo Continuo		22	51	5	7	79%
		23	21	5	6	98%
Bassoon Continuo		20	0	4	6	95%
Violin 2		21	0	6	5	87%
Violoncello Continuo		19	0	4	5	82%
Double Bass Continuo		19	0	4	5	81%
Viola		16	0	2	4	81%
Castrato Alto as Bertarido		14	0	4	8	66%
Violini 1		15	0	4	5	65%
Oboe 1		15	0	3	6	42%
Oboe 2		20	0	6	6	42%

The Degradation of the Chorus

Jesse David Sykes

4:13	Est. Play Time
119	Measures
	2,721Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	29	8	6	62%
		19	13	5	4	63%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	29	8	6	62%
		19	13	5	4	63%
Bass		16	10	3	12	85%
Tenor		13	9	2	11	80%
Alto		11	0	1	10	79%
Soprano		19	2	3	9	78%

TRAVIATA de Verdi : Chœurs Partie 10/10 Baccanale

Papibois

0:48	Est. Play Time
74	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	11	5	6	89%
		18	8	2	4	86%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	11	5	6	89%
		18	8	2	4	86%
Bass		11	1	2	5	100%
Soprano 1		14	0	2	5	100%
Soprano 2		13	0	3	5	100%
Tenor 1		14	0	2	5	100%
Tenor 2		13	0	3	5	100%

Questing Song

Zwink, Tyler

2:32	Est. Play Time
75	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		16	0	2	6	86%
		14	0	3	6	63%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		16	0	2	6	86%
		14	0	3	6	63%
Bass		11	4	2	5	66%
Soprano		11	1	0	7	60%
Alto		10	1	0	6	57%

HWV26A2 - Non t'inganni la speranza che la ferma tua costanza - in F Major

edward.maurath

2:40	Est. Play Time
134	Measures
	1,102Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo		17	17	2	4	94%
		19	20	3	4	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo		17	17	2	4	94%
		19	20	3	4	100%
Double Bass Continuo		16	0	2	4	94%
Violin 1		20	0	2	5	94%
Violincello Continuo		17	0	2	4	94%
Viola		17	0	2	5	93%
Violin 2		18	0	3	5	93%
Bassoon Continuo		17	0	2	4	89%
Bass as Clodomiro		16	0	3	5	65%
Oboe		12	0	0	5	29%

Happy Day

Peter Gostelow

3:16	Est. Play Time
67	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Guitar		17	0	4	7	93%
Lead Guitar		15	0	0	7	93%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Guitar		17	0	4	7	93%
Lead Guitar		15	0	0	7	93%
Rhythm Guitar		13	13	2	7	90%
Soprano		4	0	0	3	62%
Backing Vocals		10	0	0	3	51%

"Hai tanto rapido" with ballet from Terpsichore, prologue to 'Il Pastor Fido,' HWV 8 (1734)

edward.maurath

6:33	Est. Play Time
142	Measures
	1,083Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1		19	0	2	6	97%
Violini 2		15	0	2	4	97%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1		19	0	2	6	97%
Violini 2		15	0	2	4	97%
Cembalo (Continuo)		23	45	4	6	50%
		19	13	2	3	56%
Violoncello (Continuo)		16	0	1	3	56%
Violas		12	0	1	5	53%
Contrabassi (Contrabassi)		14	0	1	3	52%
Violoncelli (Continuo)		14	0	1	3	52%
Soprano as Apollo		12	0	1	6	50%
Flute		12	0	1	7	44%
		13	0	1	5	44%

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